A critical exploration of travel, animals and shape-changing in fin de siècle literature. Bats, beetles, wolves, butterflies, bulls, panthers, apes, leopards and spiders are among the countless creatures that crowd the pages of literature of the late nineteenth century. Whether in Gothic novels, science fiction, fantasy, fairy tales, journalism, political discourse, realism or naturalism, the line between the human and the animal becomes blurred. Beastly Journeys examines these bestial transformations across a range of well-known and less familiar texts and shows how they are provoked not only by the mutations of Darwinism but by social and economic shifts that have been lost in retellings and readings of them. The physical alterations described by George Gissing, George MacDonald, Arthur Machen, Arthur Morrison, W.T. Stead, Bram Stoker, H.G. Wells, Oscar Wilde, and many of their contemporaries, are responses to changes in the social body as Britain underwent a series of social and economic crises. Metaphors of travel – social, spatial, temporal, mythical and psychological – keep these stories on the move, confusing literary genres along with the indeterminacy of physical shape that they relate. Beastly Journeys will appeal to anyone interested in the relationship between nineteenth-century literature and its contexts and especially to those interested in the fin de siècle and in metaphors of travel, animals and shape-changing. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

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A critical exploration of travel, animals and shape-changing in fin de siècle literature. Bats, beetles, wolves, butterflies, bulls, panthers, apes, leopards and spiders are among the countless creatures that crowd the pages of literature of the late nineteenth century. Whether in Gothic novels, science fiction, fantasy, fairy tales, journalism, political discourse, realism or naturalism, the line between the human and the animal becomes blurred. Beastly Journeys examines these bestial transformations across a range of well-known and less familiar texts and shows how they are provoked not only by the mutations of Darwinism but by social and economic shifts that have been lost in retellings and readings of them. The physical alterations described by George Gissing, George MacDonald, Arthur Machen, Arthur Morrison, W.T. Stead, Bram Stoker, H.G. Wells, Oscar Wilde, and many of their contemporaries, are responses to changes in the social body as Britain underwent a series of social and economic crises. Metaphors of travel – social, spatial, temporal, mythical and psychological – keep these stories on the move, confusing literary genres along with the indeterminacy of physical shape that they relate. Beastly Journeys will appeal to anyone interested in the relationship between nineteenth-century literature and its contexts and especially to those interested in the fin de siècle and in metaphors of travel, animals and shape-changing. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

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This Norton Critical Edition presents fully annotated the text of the 1897 First Edition.

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The Complete Works of H.P. Lovecraft contains the original stories which Lovecraft wrote as an adult. It begins in 1917 with “The Tomb” and ends in 1935 with his last original work “The Haunter of the Dark.” The book is ordered chronologically by the date the story was written. Because Lovecraft was a terrible businessman and left no heirs to his intellectual property, all of his works are already in the public domain. It does not include collaborations or revisions because some of those works may still be under the co-author’s copyright. There also left out two completely non-Weird very early stories.

For more information about this ebook, visit The Arkham Archivist. For a discussion of the copyright status of the underlying works, read The Black Seas of Copyright: Arkham House Publishers and the H.P. Lovecraft Copyrights

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This small novella tells the tale of two impossibly intertwined gentlemen living in Victorian London---the friendly and sociable Dr Jekyll, and the monstrously deformed, obviously dangerous Mr Hyde. As Mr Hyde's crimes gain the attention of the police, the manhunt is on; but every lead on Hyde consistently leads back to Jekyll instead. When the darker truth of Hyde's identity becomes clear to all, that the monstrous predator of London's industrial-fog enshrouded streets is none other than Jekyll himself, transformed by a tincture of his own making, he sets forth to destroy himself and bring down Hyde with him. Allegedly written within a single week under the influence of cocaine, The Strange Case of Dr Jekyll and Mr Hyde is one of Scottish prose-poet Robert Louis Stevenson's most famous and influential works. It has been remade and adapted into numerous other mediums, including film, television, stage performance, and graphic novel; endlessly quoted in a host of derivative works, speeches, and religious sermons; it even served as the foundation of Freudian psychology and the inspiration for Freud's allegorical tale, The Beast Within. It is widely considered to be the quintessential tale on the duality of the individual, and the danger of suppressing humanity's baser instincts for the outward appearance of morality.

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